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Since the late 1960s, through the women's movement of the 1970s, and via the politics of community arts, Vivienne Binns has been at the forefront of contemporary art practices in Australia. For the last twenty years her studio practice has been preoccupied with Australia's position upon the Pacific Rim. Binns' themes range from the legacy of 20th Century abstraction; to the politics of the post-colonial, to the aesthetics of the ordinary and everday. |
